The relationship between vision and power.
Wind / Pier / 13 packing straps
This installation is part of a practice oriented toward giving form to the relationships of intensity and turbulence contained in air masses. It is the result of previous works: Osciladores, the Telúrica prototypes, Estudio de campo: complejidades del viento (2025) and Radiales (2025).
Framing uses the structure of a pier to frame, as a horizontal antenna, the nuances — from the French nue, cloud — imperceptible variations of intensity generated by microturbulences. These manifest across each of the 13 frames that compose the installation over 11 meters.
Attempting to define nature and its forces is an obsession exclusive to the human species, originating in a sinister positioning: that of the external and distant observer. Philosophy and science have attempted to encapsulate, in multiple ways, a force that remains indefinable and uncontrollable.
Framing tunes into that unresolved tension through multiple frames projected toward a place —the sea, an island, the wind struggling to escape—. The frame is not neutral: it is a technology that organizes reality. It is an act of reduction to selfish scales, a relationship between vision and power that attempts to impose an artificial order upon chaos.