Category archives: docu_caz_26

The relationship between vision and power.

Wind / Pier / 13 packing straps

This installation is part of a practice oriented toward giving form to the relationships of intensity and turbulence contained in air masses. It is the result of previous works: Osciladores, the Telúrica prototypes, Estudio de campo: complejidades del viento (2025) and Radiales (2025).

Continue reading “Framing”

Plastic is not a neutral material. As a cultural artifact, it is among the most legible products of the modern era, not because it was designed to persist, but because it was designed not to. The gap between intended ephemerality and actual durability is not incidental. It is structural, and it is the condition this project works within.

Continue reading “Plasticity”

This document describes an ongoing, experimental effort. The tool and methodology are currently in active development and field testing.

Working in Heritage-Dense Territory

Terra Ignota’s projects take place in territories where layers of human presence — ancient and recent — are written into the landscape. Moving through such environments, even with non-invasive methods and an ecological rather than archaeological orientation, carries the responsibility to notice and to document. That reality calls for care, and for close collaboration with the experts and community institutions that hold responsibility for local heritage knowledge. It is out of this ongoing commitment that we started developing a lightweight, open-source mobile GIS survey tool — a practical methodological response to the specific demands of working in these landscapes. In the frame of CAZ we started to work on that idea together with Robert Carracedo Recasens.

Continue reading “Developing a Mobile GIS Survey Tool”