For 20 years she has worked as a producer in film, advertising, festivals and cultural events.
She is part of the independent production company SARNA, with which she has produced 5 fiction feature films, a documentary and is currently developing another one. She is also a photographer and editor, and since 2018 she has been training in mountain activities.
Category archives: team
Paula Urdangarin (CL)
An itinerant lawyer, she has lived in various parts of Chile (including Puerto Williams and Punta Arenas) and South America.
With experience in various areas of law, she is passionate about the relationship between people and their environment, the care of the environment and the promotion of clean energy.
She is currently a member of the Chilean Geothermal Council, to integrate and raise awareness of grassroots renewable energies (which do not require any injection of fossil fuels to operate).
Robert Carracedo Recasens (ES)
Archaeologist specialising in hunter-gatherer societies of the Southern Cone of America and funerary practices. Graduated in Archaeology in 2014, Master in Prehistoric Archaeology and PHD in Prehistoric Archaeology from the Autonomous University of Barcelona and the University of Cantabria. He is currently a Visiting Professor and Postdoctoral Fellow at the Universidad Austral de Chile, where he is developing research and exploration projects in the Pampa del Tamarugal and the Inland Sea of Última Esperanza.
https://www.researchgate.net/profile/Robert-Carracedo-Recasens
Raviv Ganchrow (US/IL/NL)
is an artist and sound researcher based in Amsterdam, NL. His work researches the interdependencies between sound, place and listening, aspects of which are explored through installations, writing, and the development of pressure-forming and vibration-sensing technologies. His installations examine context-dependent sites of contemporary listening relating to environmental infrasound (Long-Wave Synthesis, Dark Ecology, Kirkeness, NO and Sonic Acts, Amsterdam, NL), mineral piezoelectricity (Quartz Attention, Hyperobjects, Ballroom Marfa, Texas, USA), anechoic chambers (Padded Sounds, Max Planck Institute for the History of Science, Berlin, DE) and materiality of radio transmission (Radio Plays Itself, Forecast for Shipping and Knallfunken) in collaboration with ORF Kunstradio, AT, BBC Radio 4, UK, and Deutschlandfunk Kultur respectively, DE. Recent installations develop in-situ circuits relating to human-mineral binds (Agora Circuit, Tuned City / Onassis Cultural Foundation, Messene, GR) and telluric currents (Westhafen Ground-Electric, Singuhr at ZK/U Berlin, DE). Raviv Ganchrow is currently a faculty member at the Institute of Sonology, University of the Arts, The Hague, NL.
http://ravivganchrow.com
https://www.researchcatalogue.net/profile/?person=89041
Alfredo Prieto Iglesias (CL)
Archaeologist, professor at Universidad de Magallanes (UMAG), Professor of Philosophy at the UdeC, MSc. in Archeology at the University of Cambridge, Diploma in Advanced Studies in Prehistoric Archeology at the Universidad Autónoma de Barcelona, PhD in prehistoric archeology at the Universidad de Barcelona and Visiting Professor at Harvard University. He has focused his research work in the field of prehistoric archeology and the Fuego-Patagónica ethnography. He currently works at the Centro de Investigación GAIA Antártica (UMAG)
Victor Mazón (ES)
His work exposes the unheard and unseen—addressing the inaccessible and experiencing vulnerability and awareness—to the viewer. Perception and altered states are key concepts in his performances through the use of sound or light. His work materializes in three main fields: actions or site-specific performances through experimental processes, exhibitions as consequences of previous actions, and collaborative works through seminars to form a communal dialog.
Claudia Augustat (AT)
Claudia Augustat is an anthropologist and since 2004 curator for South American Collections at the Weltmuseum Wien in Austria. Her research focuses on collections from the Amazon and Tierra del Fuego, material culture and cultural memory, on collaborative curatorship and the decolonization of museum praxis. She is head of the EU co-founded Creative Europe Project TAKING CARE. Ethnographic and World Cultures Museums as Space of Care.
Iván Flores (CL)
Iván Flores Arancibia (1978) is an academic and director of the Instituto de Artes Visuales and Galería Réplica at the Universidad Austral de Chile. PhD in Philosophy from the Universidad Autónoma de Barcelona, and Master in Contemporary Thought from the Universidad de Valladolid, he is also in charge of programming and curatorial work at the Museo de Arte Contemporáneo UACh Valdivia. His work lies on the frontiers between philosophy, visual arts, media and visual studies, cultural management, archiving, the body, new extractivisms, artistic research and creation. He has been an Erasmus Mundus ECW (2009-2010) and CONICYT (2011-2015) fellow, researcher at the Centro de Experimentación Artística La Escocesa (2019-2020), assistant professor at the Universidad Autónoma de Barcelona (2012-2019) and curator at the Centro de Cultura y Memoria El Born in Barcelona (2019-2021). He has proposed curatorials at MAC Universidad de Chile (2022), Ars Electronica Austria (2020-2022), Galería Réplica (2019-2023), FIFVAL (2022). Has been principal investigator in several projects, including “Cartografías del Entre” (VIDCA 2021-2022), “Los Seminarios de Ronald Kay” (FONDART 2022-2023) and “Memoria Visual de Germán Arestizábal” (2022-2023). He has exhibited artistic creation processes such as “Arqueología de la mutación” (Austria, 2020) and “Lañilawal” (Austria, 2022). Editor of the Archivism project of Galería Réplica / Ecfrasis and Centro Cultural de España. Researcher responsible for institutional projects such as Archivo Regional de Artes, Los Ríos, I Etapa (2021), UACh-CECREA agreement (2020-2023), Fondo de Patrimonio Audiovisual 2023, Programa Territorios en Suspenso 2021-2023, Programa de Residencias MINCAP-UACh 2023. Has published in specialized magazines such as ARTNODES, the book-object Cronogramas de una revuelta (2022, Almacén Editorial) and is currently working on the books De la Metaxologia (Metales Pesados, 2023), Cartografías del Entre (Ecfrasis, 2023) and Diferencias tecnológica y happening extendido en Ronald Kay (Almacén Editorial, 2023).
Florencia Curci (AR)
She works in Buenos Aires as a curator, radio and sound artist. Her research is based on the notions of noise and rhythm as relative concepts that shape perception, communication and subjectivation. She is interested in cooperations and in opening spaces of encounter through sound and listening. Her work has been commissioned by the Centro Cultural Kirchner, the Cultural San Martín [AR], Medialab Prado [ES], Tsonami [CL], Aural Festival [MX], Kunst Radio [AT] and Mayhem [DK], among others. Florencia completed her studies in Expanded Music at UNSAM and completed the Artists Program at the Torcuato Di Tella University, and since 2017 she has been directing CASo – Centro de Arte Sonoro, a program of the National Ministry of Culture, within which Radio CASo operates.
Carsten Stabenow (DE)
works as independent curator, producer, communication designer and artist on the intersection of artistic production and mediation. He studied communications and postgraduate interdisciplinary studies in Berlin and is initiator of diverse festivals, formats and initiatives within the context of new media, art + science and sound art.
Carsten Stabenow is initiator and artistic director of Tuned City and co-founder of the Berlin art and media production platform dock. As an artist he has realised several installations and performed internationally.
In his work he is interested especially in physical, social and political parameters of space.